Statue Sculpture
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![]() 24 Bronze Apollo Statue Roman God Sun Music Male Nude Real Hot Cast Sculpture US $199.00
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Handcrafted Multi-gemstone 'Be Positive' Pyramid Sculpture (Peru) $27.99 Handcrafted of gemstones, this sculpture is designed to attract the positive and repel negativity. Cesar Gonzales combines chrysocolla, aragonite, white calcite, jasper, serpentine, leopard chalcedony and black onyx in the sculpture. |
How do I make a large clay sculpture?
I want to make a lifesize sculpture of my dog that I can have a concrete mould made from for a garden statue. Can someone tell me what materials I should use? Like, what kind of clay, what should I use for the bulk of the sculpture, etc? I've made small clay sculptures, but never anything on such a large scale....I don't think sculpey is what I'm going to need. ;o)
okay, so I would need to use an air drying clay, not one that needs to be baked or fired?
as you want to make a mold of it, you don't have to construct it so it will fire. If you can weld, I would recommend to weld a basic armature together of the correct proportions as the finished piece will be heavy (how big is your dog, dwarf pincher or irish wolfhound?). Then you can use newspaper/straw or whatever other filler you can think of. Chickenwire is useful to keep filler in place. After you modeled approximately what you want with your filler you can put your clay on. If you have a receipe for oil based clay you can make some of that. It's more expensive, but it gives you more time to work on it - which is however not necessarily a good thing. I prefer paper clay as it is easier to fix if it gets to dry, but normal clay will do only you have to be careful so it stays workable.
If you want to have a ceramic piece (which I agree will be nicer than concrete), preferable make your own paper clay. First figure out how big the kiln you have available is. If necessary plan to construct different sections to be put together after firing (look at the work of Viola Frey).
Make slabs. Usually you will have to let them dry over night a bit, so they are not too floppy. Then I would construct the body as a hollow piece. Use pieces of slabs as internal struts to give it stability (obviously never enclosing a space completely, poke a hole through). The key is working slowly but steadily, letting each section dry somewhat (not completely) to stabilize before you build up on it. Then if the body is reasonably firm, I'd build some support to fit (e.g. from bricks) so I could build the legs. Support anything (e.g. head or tail) by pieces of wood or whatever you need until they are hard enough to support their own weight. You can build quite large sculptures (I mananged 5-6 feet high) without any internal metal or wood support structures this way. Which makes firing possible - if you have access to a kiln big enough. Universities can have kilns of the walk in size.
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